Rainer Werner Fassbinder Wikipedia. Rainer Werner Fassbinder pronouncedan vn fasbnd 3. Watch Querelle IMDB' title='Watch Querelle IMDB' />May 1. June 1. 98. 2 was a West German filmmaker, actor, playwright and theatre director, who was a catalyst of the New German Cinema movement. Although Fassbinders career lasted less than fifteen years, he led a highly productive profession. Before his death, Fassbinder worked on and completed over forty films, two television series, three short films, four video productions, and twenty four plays. He casted himself and others as actors in thirty six roles. Fassbinder was also a composer, cameraman, and film editor. Pour plus de dtails, voir Fiche technique et Distribution Solaris est un film amricain crit et ralis par le ralisateur amricain Steven Soderbergh. A page for describing StarDerailingRole Film Actors. Gigli came to destroy Ben Afflecks career right at the time when the poorly received Pearl Harbor and. Sir Ridley Scott, n le 30 novembre 1937 South Shields dans le Tyne and Wear, est un ralisateur et producteur britannique. Scott est reconnu pour son style. Rainer Werner Fassbinder pronounced an vn fasbnd 10 June 1982 was a West German filmmaker, actor, playwright and. Directed by Rainer Werner Fassbinder. With Brad Davis, Franco Nero, Jeanne Moreau, Laurent Malet. French sailor Querelle arrives in Brest and starts frequenting a. Fassbinder died on 1. June 1. 98. 2 at the age of 3. Early lifeeditFassbinder was born in the small town of Bad Wrishofen on 3. May 1. 94. 5. 1 He was born three weeks after the Alliesoccupied the town and the unconditional surrender of Germany. The aftermath of World War II deeply marked his childhood and the lives of his family. In compliance with his mothers wishes, Fassbinder later claimed he was born in 1. He was the only child of Liselotte Pempeit 1. Helmut Fassbinder, a doctor who worked out of the couples apartment in Sendlinger Strae,4 near Munichs red light district. When he was three months old, he was left with a paternal uncle and aunt in the country, since his parents feared he would not survive the winter with them. He was a year old when he was returned to his parents in Munich. Fassbinders mother came from the Free City of Danzig now Gdask, Poland, from which many ethnic Germans had fled following World War II. As a result, a number of her relatives came to live with them in Munich. Fassbinders parents were cultured members of the bourgeoisie. His father mainly concentrated on his career, which he saw as a means to indulge his passion for writing poetry. His mother largely ignored him as well, spending the majority of her time with her husband working on his career. In 1. 95. 1, Liselotte Pempeit and Helmut Fassbinder divorced. Helmut moved to Cologne while Liselotte raised her son as a single parent in Munich5 In order to support herself and her child, Pempeit took in boarders and found employment as a German to English translator. When she was working, she often sent her son to the cinema to pass time. Later in life, Fassbinder claimed that he saw at least a film a day, sometimes even four a day. During this period, Pempeit was often away from her son for long periods while she recuperated from tuberculosis. In his mothers absence, Fassbinder was looked after by his mothers tenants and friends. As he was often left alone, he became used to the independence and thus, became a juvenile delinquent. He clashed with his mothers younger lover Siggi, who lived with them when Fassbinder was around eight or nine years old. He had a similar difficult relationship with the much older journalist Wolff Eder c. Early in his adolescence, Fassbinder came out as a homosexual. As a teen, Fassbinder was sent to boarding school. His time there was marred by his repeated escape attempts and he eventually left school before any final examinations. At the age of 1. 5, he moved to Cologne with his father. Though they argued constantly, Fassbinder stayed with his father for a couple of years while attending night school. To earn money, he worked small jobs and helped his father who rented shabby apartments to immigrant workers. During his time with his father, Fassbinder began to cultivate himself in the world of theatre, such as writing poems, short plays, and stories. BeginningseditIn 1. Fassbinder returned to Munich with plans to attend night school with the idea to eventually study theatrical science. Following his mothers advice, he took acting lessons and from 1. Fridl Leonhard Studio for actors in Munich. There, he met Hanna Schygulla, who would become one of his most important actors. During this time, he made his first 8mm films and took on small acting roles, assistant director, and sound man. During this period, he also wrote the tragic comic play Drops on Hot Stones. To gain entry to the Berlin Film School, Fassbinder submitted a film version of his play Parallels. He also entered several 8 mm films including This Night now considered lost,1. Werner Schroeter and Rosa von Praunheim who would also have careers as film directors. He returned to Munich where he continued with his writing. He also made two short films,The City Tramp Der Stadtstreicher, 1. The Little Chaos Das Kleine Chaos, 1. Shot in black and white, they were financed by Fassbinders lover, Christoph Roser, an aspiring actor, in exchange for leading roles. Fassbinder acted in both of these films which also featured Irm Hermann. In the latter, his mother under the name of Lilo Pempeit played the first of many parts in her sons films. Theater careereditIn 1. Fassbinder joined the Munich Action Theater, where he was active as an actor, director and script writer. After two months he became the companys leader. In April 1. 96. 8 Fassbinder directed the premiere production of his play Katzelmacher, which the story of a foreign worker from Greece who becomes the object of intense racial, sexual, and political hatred among a group of Bavarian slackers. Watch Online Watch The Dog Lover Full Movie Online Film. A few weeks later, in May 1. Action Theater was disbanded after its theater was wrecked by one of its founders, jealous of Fassbinders growing power within the group. It promptly reformed as the Anti Theater under Fassbinders direction. The troupe lived and performed together. This close knit group of young actors included among them Fassbinder, Peer Raben, Harry Baer and Kurt Raab, who along with Hanna Schygulla and Irm Hermann became the most important members of his cinematic stock company. Working with the Anti Theater, Fassbinder continued writing, directing and acting. In the space of eighteen months he directed twelve plays. Of these twelve plays, four were written by Fassbinder he rewrote five others. The style of his stage directing closely resembled that of his early films, a mixture of choreographed movement and static poses, taking its cues not from the traditions of stage theater, but from musicals, cabaret, films and the student protest movement. After he made his earliest feature films in 1. Fassbinder centered his efforts in his career as film director, but he maintained an intermittent foothold in the theater until his death. He worked in various productions throughout Germany and made a number of radio plays in the early 1. In 1. 97. 4 Fassbinder took directorial control over the Theater am Turm TAT of Frankfurt when this project ended in failure and controversy, Fassbinder became less interested in theater. Early films and acclaimeditFassbinder used his theatrical work as a springboard for making films and many of the Anti Theater actors and crew worked with him throughout his entire career for instance, he made 2. Hanna Schygulla and Irm Herrmann. He was strongly influenced by Brechts Verfremdungseffekt alienation effect and the French New Wave cinema, particularly the works of Jean Luc Godard. Fassbinder developed his rapid working methods early. Because he knew his actors and technicians so well, Fassbinder was able to complete as many as four or five films per year on extremely low budgets. This allowed him to compete successfully for the government grants needed to continue making films. Unlike the other major auteurs of the New German Cinema, Volker Schlndorff, Werner Herzog and Wim Wenders, who started out making movies, Fassbinders stage background was evident throughout his work. Additionally, he learned how to handle all phases of production, from writing and acting to direction and theater management. This versatility surfaced in his films too where, in addition to some of the aforementioned responsibilities, Fassbinder served as composer, production designer, cinematographer, producer and editor.