Cast, crew, and production information, as well as viewer comments. Any Given Wednesday with Bill Simmons; After the Thrones; Angry Boys MINISERIES; Animals. Band of Brothers MINISERIES; Ballers; Big Love; Boardwalk Empire. Watch A Sea Cave Near Lisbon HDQ more. Premise Backstory. The series takes place in the year 2517, on a variety of planets and moons. The TV series does not reveal whether these celestial bodies are within.
Top 2. 0 Best Comedy Movies Of 2. Let’s take a look at the biggest and best comedy movies of 2. Funny this year has come in the form of De Niro as a dirty grandpa, Sacha Baron Cohen as a soccer hooligan, the return of Bad Santa, and a wild Sausage Party. That and so much more. Let us know in the comments what you think are the best comedy movies 2. Here’s the rundown of every significant theatrical release, good and bad: – JANUARY –Ride Along 2. Starring: Kevin Hart, Ice Cube, Ken Jeong, Benjamin Bratt, Olivia Munn, Tika Sumpter.
Director: Tim Story. Out: 1. 5 January 2. U. S. Dates)Jumpy, fast- talking Ben (Hart) has graduated from police academy and is now an Atlanta P. D. Grumpy James (Cube), his soon to be brother- in- law, is still annoyed by his tactics. But before Ben is able to marry James’s sister, their boss assigns them to a case in Miami, where they will be working with the Miami P.
Here are the best TV shows of 2016—the series we've watched, talked about, and obsessed over. From the Arrowverse on The CW to the Marvel series on Netflix, we've compiled the very best comic book shows for your viewing pleasure. Little Britain began as a humble radio series, but it eventually proved too successful not be transferred to the small screen. The TV show first aired in 2003 and. List of the best black sitcoms, past and current. Viewers love these top African-American comedy series for many reasons. They often portray life in the black.
D. New additions include Ken Jeong as a slippery hacker turned informant, Olivia Munn as a Miami detective, and (strangely briefly) Tyrese Gibson as Cube’s partner during a bust. Director Tim Story returns. The passable first movie (which made an incredible $1.
Hart and Cube were a good . But with Cube’s “approval” won at the end of that, the plot here has pretty much no stakes whatsoever, other than what level of shenanigans they’ll get up to in Miami. The by- the- numbers screenplay is certainly lazier, trotting out ’9. Hart nothing clever to work with. There are a dozen or so amusing lines, but over ninety minutes that just isn’t good enough. Ultimately your enjoyment will once again depend on how much you’re a Hart fan. Grandpa’s looking to score again after 1.
Plaza) might help him succeed. Meanwhile his grandson is starting to question if getting married isn’t feeling like more of a prison sentence. The director previously co- wrote . The R- rated film starts like a deadweight, but when De Niro gets going he’s hilarious, if a couple of times humiliated. Seeing him wack off to an adult movie might be the low point of his career but within minutes he’s exclaiming that his nightmare would be Queen Latifah taking a dump in his mouth from a hot air balloon, with a delivery that no other actor could have matched. He’s a machine of full- on bad taste and, rather than lament his fall from prestigious grace as critics have done, I fully admire his commitment to this role. Indeed the film is the most filthy and un- pc I’ve seen in a long time (only bested by .
As pop culture moves so quickly, thanks to the ever increasing speed of communication, the references in the trailer – to ’5. Shades’, to . Nonetheless, expect the usual assortment of high- pitch Marlon screams, fart gags and jokes about “white people”. Like Adam Sandler films, there’s a group who like Wayans comedies and a group that don’t. You already know which you’re in.
Ehrenreich plays the onscreen cowboy making a wooden transition to a talking role and driving luvvie director Ralph Fiennes mad. Swinton plays a gossip columnist, Johansson is the star facing scandal after becoming pregnant from a fling, and Channing Tatum is a singing/dancing actor with an interesting sideline. Roger Deakins, probably the greatest cinematographer alive, rejoins the Coen Brothers, having previously worked with them on the likes of . If you don’t have an interest in the golden age of Hollywood then this is likely to be a drag because the primary pleasure here is seeing those period visuals recreated and having fun with the politics and studio system of the era.
Most of the stars on the poster are little more than glorified cameos (Jonah Hill has one scene, Scarlett Johansson has three, Channing Tatum has three, etc). The story flow feels disjointed, like a series of vignettes tied together fairly awkwardly. It lacks forward drive, any real stakes, and it’s never hilarious, although some individual scenes (like Tatum’s dance number and Ehrenreich’s date at the cinema) are wonderfully done and moments of style run throughout. For cinephiles only. By 1. 94. 4 Captain Mainwaring’s (Jones) men are suffering from low morale, until a glamorous journalist (Zeta- Jones) arrives to report on the platoon’s exploits. Meanwhile, MI5 have discovered a radio signal transmitted from Walmington- on- Sea towards Berlin, apparently the work of a spy, giving the Home Guard a chance to make a real difference in the war. The do- over comes from the writer and director of .
There’s nothing fundamentally wrong with the idea of rebooting the series, the concept remains potentially funny and endearing – but this is a very lacklustre effort. The plotting and writing are weak, the slapstick’s embarrassingly lame and the direction well below par (the bull chase and final shootout are among the most poorly staged sequences of the year). Catherine Zeta- Jones has a ridiculously large amount of screen time for her role, with scene after repetitive scene of the men individually trying to win her affection. Indeed for most of the running time she’s on screen more than Captain Mannering. This is at the expense of male bonding scenes and so we get little sense of the interpersonal relations between the squad.
Toby Jones tries hard as Mannering but in the end he’s a dramatic not a comic actor. A curiosity for long time fans but no pleasure for anyone. Miller, Morena Baccarin, Gina Carano. Director: Tim Miller. Out: 1. 2 February 2. Wade Wilson (Reynolds), an unhinged former Special Forces operative turned neighbourhood- duties mercenary, finds the love of his twisted life, but then discovers cancer is about to end it.
Approached by a shadowy man, he agrees to become part of a super- soldier program in return for a cure. The torturous rogue experiment scars him severely, but gives him incredible agility and accelerated healing powers.
When its sadistic overseer Ajax (Skrein), who cannot feel pain, reveals that Wade is actually being turned into a super- slave, Wade breaks free, adopts the alter ego Deadpool, and sets out for revenge – amidst a sea of quips and 4th wall breaking commentary. Soon he enlists the help of two X- Men: steel- skinned Colossus and energy conductor Negasonic Teenage Warhead. The movie’s at its best whenever he’s in costume, with the unique shifting eyes of the mask doing a great job of conveying the comic character.
The script comes from the writers of . The story itself is perhaps a little too straightforward, and much of the backstory is played as straight drama, but better that than a spoof. It does a good job of making someone near invulnerable in the comic seem vulnerable but could have carried over more of his split personality and the surreal, there’s a hint of those aspects toward the end. All in all it’s a chuckle- worthy R- rated escapade, that’s made an incredible amount of money at the box office.
Best Live- Action Comic Book TV Shows of All Time. Superheroes, zombies or demonic possession – no matter what the topic, the truth remains the same. Comic books are invading our televisions. Never have networks been so desperate for stories that jump off the page.
There are currently rumored to be northward of sixty different comic book television series in the pipeline spread across various channels and providers. The sources of inspiration continue to climb, making the phenomenon something that’s sure to be pervading every network in just a short period of time. Much like the Marvel Cinematic Universe or the DC Extended Universe, it can be hard to wrap your head around all the shows already filling the time slots of every channel. We’re already in a golden age of television where even the best shows are being neglected purely because there isn’t enough time. That’s why we say it’s time to jump ahead of the comic book TV trend before it becomes too crazy to keep under control. We’ve sorted through the best comic book inspired television shows in hopes of finding the highest quality live- action series imaginable.
This list will also only include shows which are based on comics or prominently feature characters who got their start in comics. Sorry Fear the Walking Dead, but that makes you ineligible.
Some of these stories are niche while others are well known properties. Whether they’re outdated by today’s standards or they’re currently the hottest thing on television, every show on here deserves at least some consideration before simply scoffing and turning away. It’s important to build a high tolerance to these shows before it’s too late, so for your viewing practice and because they’re simply too fun to ignore, we present the 2. Walking Dead Season 2 Episode 10 Full Episode. Greatest Live- Action Comic Book TV Shows of All Time. Powers. Set among a world where humans and superheroes co- exist, Powersbegan as a fantasy police- procedural comic from Brian Michael Bendis and Michael Avon Oeming.
The story of Christian Walker (Sharlto Copley), a homicide detective and former superhuman investigating cases involving people with special abilities, was first pitched as a television series to the FX network before eventually landing as the first original series on the Play. Station Network. The adaptation of the Marvel comic depicts superheroes as pop icons, referred to as “Powers” by the rest of the world and given their own specialized advertising agencies. Christian was once one of the most famous Powers, known as Diamond. When his ability to fly is taken from him by his mentor “Big Bad” Wolfe (Eddie Izzard), another superhuman with the ability to drain the life force from anyone he touches, he finds himself working alongside the untrained Deena Pilgrim (Susan Heyward) under the special Powers Division of the police department. Lacking ingenuity and chemistry between its leads, Powers has yet to build a sustainable audience among critics with its promising premise. The series is relatively tame, sticking to its procedural roots while never fully capitalizing on the fantasy elements of the show.
It’s largely comparable to Gothamon Fox minus the Batman lore and brooding style of the city. The comic sadly doesn’t translate well to the screen with many of the heroes feeling misplaced and far too animated in the costume department to appear as anything the real world would ever accept as normal. There’s still plenty of potential for the series. If nothing more, Powers provides a unique perspective of the superhero world from the people left cleaning up the mess.
In an era where comic book adaptations have taken over television, it’s a shame that more never came of Bendis and Oeming’s story. It lands at the end of our list as an afterthought among many more brighter shows making their name among the very best on the small screen. Lois and Clark: The New Adventures of Superman. The first instance of Superman on our list, this 1. Man of Steel was in fact an excuse to further explore the love triangle between Lois Lane, Clark Kent and the superhero himself, who Lois has no idea is in fact the same person. As far as actors in the iconic role are concerned, Dean Cain fills out the costume more than most. He had the physique of a Kryptonian and the suit didn’t differ too much from that of Christopher Reeve’s in the earlier live- action films.
Ditching the lame forehead curl for a sleeker, modern day hairstyle, Cain proved he had the charming good looks to pull off the character. Now all he had to do was dazzle the Daily Planet’s top investigative journalist and he would win over the hearts of every DC Comics fan in existence. The series would play largely like a drama, often delving into the romantic entanglements of the show’s leads. In season one, Superman’s archenemy Lex Luthor (John Shea) would woo Lois (Teri Hatcher), winning her over and ultimately trying to marry her despite her own mixed feelings for both Clark and his secret superhero identity.
The rare perspective seen through the eyes of the man and not the hero gave Lois and Clark its audience over the course of its four season run. The couple would exhibit great chemistry among a fantasy genre that never focused on the life behind the curtain.
The final season would ultimately end on a cliffhanger as Lois and Clark settled down after being engaged for more than a season. Along the way, there would be many failed wedding ceremonies, an instance in which Lois adopts Clark’s powers and becomes a pink- suited superhero named Ultra Woman and a devastating revelation that Kal- El couldn’t father children.
After a promising plot twist revealed that Clark would indeed become a father to a mystery Kryptonian child, the show was sadly given the axe in 1. Watch The Animatrix Online Forbes here. The story would receive many tie- in young adult novels during its run and prove successful, climbing as high as an average of 1.
In the end, Lois and Clark would prove that Superman had an audience on the small screen and just four short years after the show’s cancellation, that audience would be treated to another iteration of the character, but more on that later. Lucifer. Being the Lord of Hell can be a boring gig. There’s all the tormenting and damned souls to worry about. So what is a man who’s seen everything supposed to do? Lucifer isn’t the first series to see the devil appear on earth and we doubt it’ll be the last, but it has us wondering exactly why Beelzebub is spending so much time with mortals stuck doing seemingly routine tasks everyday. When Lucifer (Tom Ellis) gives up his throne, he makes his appearance under the guise of the gentleman- devil, showing off his sophistication and charming good looks to anyone who will take notice. Rather than using his abilities to cast darkness over the world and spark an apocalyptic war between Heaven and Hell, he opens up a piano bar called “Lux” in sunny Los Angeles like any good fallen angel would.
While operating his new establishment, his interest is piqued by Detective Chloe Decker (Lauren German), a by- the- books officer looking to solve the murder of an aspiring actress who died at Lucifer’s club. The king of darkness takes up arms with Chloe and together they solve the cases of other unfortunate souls who left too soon. Despite various versions of the character having appeared in popular DC publications before, Lucifer got its start when the character first made his debut in Neil Gaiman’s The Sandman. Retiring from his ceaseless existence in Hell after reigning for more than ten billion years, the devil would receive his own eponymous solo comic series, running for seventy- five issues. Although the comic focused largely on the powerful entities of Lucifer’s past who come back to disturb his retirement after he tried to begin a New Creation outside of God’s own, the procedural crime elements were added in to widen the show’s audience.